Jacques Derrida (1930-2004) was the founder of “deconstruction,” a way of criticizing not only both literary and philosophical texts but also political institutions. Although Derrida at times expressed regret concerning the fate of the word “deconstruction,” its popularity indicates the wide-ranging influence of his thought, in philosophy, in literary criticism and theory, in art and, in particular, architectural theory, and in political theory. Indeed, Derrida's fame nearly reached the status of a media star, with hundreds of people filling auditoriums to hear him speak, with films and televisions programs devoted to him, with countless books and articles devoted to his thinking.
Beside critique, Derridean deconstruction consists in an attempt to re-conceive the difference that divides self-reflection (or self-consciousness). But even more than the re-conception of difference, and perhaps more importantly, deconstruction works towards preventing the worst violence. It attempts to render justice. Indeed, deconstruction is relentless in this pursuit since justice is impossible to achieve.
The late Jacques Derrida’s notion of literature is explored in this new study. Chota Bheem Tamil Video 3gp Free Download more. Starting with Derrida’s self-professed inability to comment on the work of Samuel Beckett, whom Derrida nevertheless considered one of the most interesting and exemplary writers of our time, Asja Szafraniec argues that the shared feature of literary works as Derrida understands them is a double, juridical-economical gesture, and that one aspect of this notion (the juridical) is more hospitable to Beckett’s oeuvre than the other.
Asja Szafreniec, Beckett, Derrida and the Event of Literature (Stanford, Stanford University Press, 2007), 264 pp. ISBN: 978-0-8047-5457-4 Lydia Rainford The prompt for Asja Szafreniec’s book is Derrida’s avoidance of Beckett, in spite or perhaps because of the apparent proximity of their work. The Deconstruction Theory of Derrida and Heidegger – A Study - Chung Chin-Yi. Derrida says that it is naive to refer to an event, doctrine or an author to. Faith in the Ghosts of Literature. Poetic Hauntology in Derrida. That history books cannot convey. Rousseau and Beckett . Religions 2013, 4 338.
She then discusses other contemporary philosophical approaches to Beckett, including those of Gilles Deleuze, Stanley Cavell, and Alain Badiou. The book offers an innovative analysis of Derrida’s approach to literature, as well as an overview of current philosophical approaches to contemporary literature, and a number of innovative readings of Beckett’s work.